Jack Ox is an artist who used research as the method behind her art works and is now taking the procedures developed as an artist to the scientific and engineering world of visualization. She is also a longtime member of Leonardo Journal’s editorial board, and has served as both a Research Assistant Professor in Art and Art History, and Research Associate Professor of Music at the University of New Mexico; also at UNM, she is a researcher at the Center for Advanced Computing (CARC). Ox just finished a PhD dissertation on “Manifestations of Conceptual Metaphor and Blending Theories” for Swinburne University of Technology in Melbourne. Her 30-year career of mapping musical scores to paintings such as Kurt Schwitters’s intermedia masterpiece, “Ursonate,” can be seen at http://www.jackox.net/pages/Ursonate/ur_MAINindex.html and virtual reality renditions, such as the “Gridjam” at http://www.jackox.net/pages/gridjamIndex.html. Recently, Ox presented a paper at the IEEE VIS 2014 conference in Paris on how knowledge representers can use analogy and conceptual blending in visualizations.
Jack Ox, together with Fluxus artist Ken Friedman, is leading the 3-year Leonardo symposium on the PhD in Art and Design. This project is documenting best methods and practices, as well as issues and challenges, that are emerging with the introduction of the PhD in Art and Design in universities internationally and in particular for hybrid professionals in theh art-science and art-technology fields.